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FSYO's Touring Orchestra Plays Shanghai - Shanghai City Theatre

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Music Director and Symphonic Orchestra Conductor, Hanrich Claassen will lead FSYO's Summer 2019 Touring Orchestra for a performance at the prestigious Forbidden City Concert Hall. 

Shanghai City Theatre, located in the bustling west urban area of the city, is celebrating its 10 year anniversary this year. The venue has a very spacious stage and well-equipped facility that makes it one of the most favorite halls for many world-class orchestras.

Date/Time: Sunday, Jul 7, 2019, 7:30 pm

Location: Shanghai City Theatre, No. 4889 Dushi Road, Shanghai

Admission: Single tickets can be purchased at the box office on the day of the concert.

FSYO Goes to China - Summer 2019

CHINA Tour STD

Thank you from Carnegie Hall

Thank You Post Card

 

As we look forward to 2019, Florida Symphony Youth Orchestras would like to take a moment to thank you for your support during 2018. Thank you for investing in the lives of talented musicians and contributing to a summer filled with unforgettable memories.

This summer, FSYO embarked on our week-long summer tour stopping to perform at the Sottile Theatre at the College of Charleston and Carnegie Hall in New York City. While in Charleston, a few students developed an understanding of the hard work that goes into promoting a concert by performing small sets around town. In New York, FSYO was invited to perform at Carnegie Hall in part with Distinguished Concerts International New York. DCINY is an organization that is passionately committed to maintaining the highest standard of professional performance experience.

The Carnegie Hall concert had over 2,500 in attendance and produced a sensational report from New York Concert Review. "All the principal players (in fact, all the players) were first-rate, with burnished, plush strings and confidently played winds." - Frank Daykin for New York Concert Review

"The concert [Carnegie Hall] itself was a whirl, it only felt like moments before we were being led offstage, just having performed the concert of a lifetime," said Emily Schenck, FSYO Alumna. "It was a life-changing experience and we were all so thrilled to have taken part in this event!"

You have truly made a difference.

Thank you to all of our season sponsors, donors, families, in-kind sponsors, and wonderful young musicians! 

New York Concert Review Inc. - FSYO at Carnegie Hall

Distinguished Concerts International New York (DCINY) presents Song/Play in Review

FLORIDA SYMPHONY YOUTH ORCHESTRAS; HANRICH CLAASSEN, SYMPHONIC CONDUCTOR AND FLORIDA SYMPHONY YOUTH ORCHESTRAS MUSIC DIRECTOR DISTINGUISHED CONCERTS ORCHESTRA AND DISTINGUISHED CONCERTS SINGERS INTERNATIONAL CRISTIAN GRASES AND FRANCISCO J. NÚÑEZ, COMPOSERS/CONDUCTORS STERN AUDITORIUM AT CARNEGIE HALL, NEW YORK, NY

Distinguished Concerts International New York (DCINY) continued to celebrate its tenth anniversary with the final concert before autumn: “Song/Play,” a treasure trove of music made by youths of all ages and stages of musical development and education. Their Premiere Project also produced notable two world premieres on this occasion. The presence of over 350 singers in the massed choirs, mostly domestic, but some from as far away as China, Finland, and Ireland, and their families in the audience guaranteed an exciting, supportive atmosphere.

The afternoon began with a ravishing display by the Florida Symphony Youth Orchestras and their uncommonly musical, lyrically sensitive conductor, Hanrich Claassen. All the principal players (in fact, all the players) were first-rate, with burnished, plush strings and confidently played winds. The first work was Reflections on the Hudson by a San Francisco-based composer, Nancy Bloomer Deussen, whose work was previously unknown to me. As with most good program music, it portrays the composer’s inner feelings while contemplating the great river, without slavishly illustrating it in music. Its gauzy meditative quality was beautifully rendered by the group, and the middle “busy” section had some nice imitative counterpoint.

The Symphonic Dances, Op. 64, by Edvard Grieg, based on Norwegian folk melodies, followed. These well-known works had dozens of mature details all fantastically worked out by  Mr. Claassen and his team. They gave a truly “hot” reading of music from a “cold” climate. No. 2, Allegretto grazioso was my personal favorite, but all four were excellent. These students are so lucky to have such guidance at this stage in their lives. The look of ecstatic listening and participation on the face of the first cellist, Maxwell Remmer, was priceless. The rapture that younger players have immediate access to has not been bred out of them by routine. May it never be! After intermission, two composer/conductors, both of whom I have reviewed previously in these pages: Cristian Grases and Francisco Núñez, each with a world premiere. Mr. Grases was given a really young choir to work with. His work, La Cigarra y La Hormiga, set a fable about a carefree partying cicada and an industrious ant (like Aesop’s ant and grasshopper) in a sort of cantata form, with all movements flowing right into each other. Mr. Grases wisely mixed rhythmic speech with well-crafted homophonic vocals to get the large amount of text covered expeditiously. The work, based on pan-Latin dance influences, could have used more variety at times, and it seemed too long. The clever instrumentation was a little too heavy, sometimes covering the large children’s choir. The message is a good one: the ant is generous with her food when the cicada comes over in the cold of winter. Each learns something from the other: that a satisfying life is neither “all work” nor “all play.” Then it was Mr. Núñez’s turn with a mostly older (high school age) group: a selection of his choral music, also including his premiere: Liminality, a complex four-movement work about an abstract idea, standing on the “threshold” of a new state of being but not quite “in” it yet. The third section, My Shadow, My Soul was gorgeous, with a wonderful soprano soloist from inside the choir. Naturaleza was a hymn to the beauty of the earth. Forever Is My Song imitated an indigenous Philippine musical gong, the kulintang. The day closed with the rousing Es Tu Tiempo, an exhortation to remember to dream and dare, sung by slightly “older” young people to those coming after them. Mr. Núñez’s use of percussion and the orchestra is inventive and satisfying, though he also over-orchestrated just a bit, leading to some balance and understandability issues. The DCINY orchestra was its usual fine self.

“Take a chance to dream.” Good advice indeed.

Original article by Frank Daykin can be found here.  

by Frank Daykin

 for New York Concert Review; New York, NY

 

Road to Carnegie Hall - 2018 Summer Tour

This summer, Florida Symphony Youth Orchestras embarked on our week-long Summer Tour of 2018. Our Symphonic Orchestra was invited to play at Carnegie Hall, in New York City, and the Sottile Theatre at the College of Charleston. This year's Summer Tour consisted of traveling to Charleston, South Carolina, Washington D.C., and New York City, New York in one week and all by bus.

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FSYO having a barrel of fun! Enjoying a nice brunch break on our way to Charleston.

On June 18, our students met us at our office to load the busses that they would call home for the next week while we traveled the East Coast. Our first day of travel we set off to Charleston, South Carolina for a fun night on their City Market and a ghost tour in the city. Day two was our first concert performance at the Sottile Theatre. During the day, we spoke with Dr. Edward Hart, Chair of the Department of Music and received a tour of the Department of Music.

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Once we finished the tour, several students wanted to perform around town and raise awareness for our concert that night. Those students learned how to sell their performance, experienced the hard work that goes into getting people to attend, and had a blast doing what they love, playing music. While this performance didn't have the live attendance we would have liked, we had our biggest online attendance at just over 4.3K views!

Day three was a full day of travel into Washington D.C. We passed Richmond, Virginia's capital, and stopped nearby for some quick lunch. By the time we made it into the city, it was almost dark, and we were tired enough that we just turned in for the night.

The next morning, we bussed into the city and spent the whole day visiting different museums and monuments on the National Mall! We all met up at the Lincoln Memorial that afternoon and then went to the Arlington National Cemetery. There we witnessed the incredible Changing of the Guard ceremony and saw the Eternal Flame memorial at Former President Kennedy's gravesite. For dinner, we were treated to the best chicken in the city by Nando's Per-Peri Chicken!

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Our last stop took us to New York City which started with a final rehearsal before visiting an authentic New York pizza joint for a late-night slice. We then made our way to Times Square, just a short walk from our hotel, to experience the sights and sounds of the city that never sleeps. On the way back, we made a stop at the giant M&M store to get our fill of sugar before heading to bed.

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On Saturday, everyone woke up early to visit the Metropolitan Museum of Art as soon as it opened. This museum hosts thousands of incredible and varied art pieces, including original dresses from designers like Valentino and Alexander McQueen, Claude Monet's Water Lilies, and an entire ancient Egyptian temple! After enjoying all that the museum had to offer, we split into groups--some went towards Ground Zero, others went to Brooklyn Bridge, and still more took a stroll through Central Park. That night, we regrouped and dressed to the nines to see a performance of Swan Lake by the American Ballet Theatre at the Metropolitan Opera House. Everyone agreed that it was breathtaking, though we
might have appreciated the orchestra even more than the dancers!

Finally, the day of the big performance arrived! We rehearsed briefly on stage at Carnegie Hall before breaking for lunch in Central Park and returning to get into concert dress.

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"The concert itself was a whirl it only felt like moments before we were being led offstage, just having performed the concert of a lifetime! It was a life-changing experience, and we were all so thrilled to have taken part in this event." – Emily Schenck, FSYO Alumna

After the performance, we went to Rosie O'Grady's for a fantastic dinner. Nobody wanted to turn in after dinner, so we split into groups and explored the city once more. Even though it was a late night, it was filled with excitement and adventure.

  1. FSYO's Summer 2018 Touring Orchestra plays College of Charleston Sottile Theatre
  2. FSYO's Touring Orchestra Plays College of Charleston Sottile Theatre - June 2018
  3. FSYO Tour Map
  4. FSYO's Touring Orchestra Plays Carnegie Hall

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Florida Symphony Youth Orchestras | (407) 999-7800 | info@fsyo.org

Florida Symphony Youth Orchestras is a nonprofit 501(c)(3) charitable organization. Florida Symphony Youth Orchestras is funded in part by United Arts of Central Florida, your local agency for the arts. FSYO projects are funded in part by Orange County Government through the Arts & Cultural Affairs Program.

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Florida Symphony Youth Orchestras is a proud member of the League of American Orchestras and the Edyth Bush Institute.

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